The artists will debut a new, multichannel video and photographic installation, A New Silk Road (2006). The project follows the extensive scrap-metal trade via truck caravans traveling through the high mountain passes between Kyrgyzstan and China.
Solo exhibition
Winkleman Gallery is very pleased to announce the solo exhibition of husband-wife
artists, Gulnara Kasmalieva and Muratbek Djumaliev, at the Art Institute of Chicago,
February 1 to May 6, 2007: For their Focus exhibition, Kasmalieva and Djumaliev will
debut a new, multichannel video and photographic installation, A New Silk Road
(2006), created especially for the Art Institute. The project follows the extensive
scrap-metal trade via truck caravans traveling through the high mountain passes
between Kyrgyzstan and China. With almost no manufacturing infrastructure and
limited funding for building and growth, Kyrgyzstan’s role remains that of trader,
the middle man between China’s booming production and countries such as Russia and
Kazakhstan that are in the economic position to support the vigorous importation of
consumer goods. Eschewing nostalgia for the historical Silk Road era, Kasmalieva and
Djumaliev instead foreground the current, arguably hard, existences faced by the
communities along these well-worn trade routes.
Also on view will be the three-channel video installation Trans-Siberian Amazons
(2004). Shot during a tour through Siberia organized by the artists to encourage
artistic and cultural exchange, this work portrays two elderly women traders who
undertake the arduous task of hauling domestic goods by train across Central Asia.
Previously employed in the professional sector, these women and others like them
have been forced, as a result of post-Soviet economic devastation, to create new,
transient economies based on small-scale trade and transport in order to support
their families. The video captures the protagonists’ yearning for times gone by,
as they pass the time mournfully singing the Soviet songs of their youth in the dim
confines of the train car. At its essence, the practice of Kasmalieva and Djumaliev
redefines the terms of art in the face of what the latter refers to as “the
collective phobia, skepticism, and disappointment" that pervades the milieu they
inhabit. Melding the poetic with the political, they employ beautifully haunting
imagery with minimal narrative structure in order to recount poignant tales of human
struggle, perseverance, and hope for the future. Gulnara Kasmalieva & Muratbek
Djumaliev
Art Institute of Chicago Museum
111 South Michigan Avenue - Chicago